the lumineers sleep on the floor актриса
The Lumineers – «Sleep On The Floor»
Клип под название «Сон на полу» рассказывает о том, как могла бы измениться жизнь в результате всего одного смелого решения. К девушке на похоронах, судя по всему, ее отца, подходит молодой человек с соболезнованиями и предложением убежать с ним. Он шепчет эти слова на ухо и быстро идет к такси, а она… Она вдруг разделяется надвое. Одна половина остается дома и продолжает церемонию прощания, а другая бежит к машине и говорит «Да!»
Пара отправляется в путешествие, и на протяжении нескольких минут мы видим массу сцен, переполненных любовью и счастьем. Ситуация и обстановка меняется каждые несколько секунд, калейдоскоп событий увлекает и заставляет искренне сопереживать. В клипе всего за пару минут можно увидеть десятки сцен, демонстрирующих настоящую любовь и самопожертвование. Многие проживают вдвоем целую жизнь, и переживают меньше чувственных событий, чем показано в ролике.
Пара путешествует на автомобиле по стране, посещает вечеринки и новые города. Все трудности и радости они переживают вместе, и в один прекрасный момент даже решают пожениться. Импровизированную церемонию проводят друзья, но это совершенно не важно. Истинные чувства сильнее любых отметок в документах.
На пике счастья герои клипа The Lumineers – «Sleep On The Floor» засыпают в обнимку на полу. Когда героиня открывает глаза, она видит выходящую в дверь размытую фигуру женщины в черной одежде и шляпе. Мы понимаем, что это был только сон. На самом деле, конечно же, нельзя так просто убежать с похорон и отправиться в романтическое путешествие. В нашей жизни слишком много условностей и обязательств, которые приходится соблюдать. Хотя как история мечты клип выглядит просто прекрасно. Это по-настоящему голливудский сюжет, нереально красивый, заставляющий бурно переживать за все происходящее на экране и оставляющий приятное послевкусие.
«Sleep on the Floor» Lyrics Meaning
I’ve already explained “Ophelia,» “Cleopatra,” and «Angela,» and now it’s time for “Sleep on the Floor.” This song follows the other three in tone and style, but this is the first one I’ve done that the title of which is not directly about a female character. There is still a story being told here, but things are a bit more vague. In an interview at the iHeartRadio Concert, the band explained the song a little:
It’s just about, I think, [how] people move to big cities, whether it’s New York or LA, certain cities have these promises implied. You’re gonna go there, and you’re gonna fulfill that promise, you’re gonna catch that dream that you had in your head. And when you go there and it doesn’t happen, that’s sort of a reaction to that. It was kind of interesting to go to Denver of all places, and that’s where we finally started getting some movement, or some traction, and we began to tour as a real band would. And I found that there was so much restriction in these expensive cities, it kind of kills your artistry. If you’re trying to do what we were trying to do, which was tour a lot.
«Sleep on the Floor» is, in general, about moving away to big cities and leaving the small ones, but there’s so much more to the song than that. Let’s dig into it.
Lyrical Analysis of «Sleep on the Floor»
Into and Outro
Sandwiching the rest of the song, the intro and outro are very similar and both develop the same theme of leaving a small town before it’s too late. Wesley Schultz sings, «Pack yourself a toothbrush, dear / Pack yourself a favorite blouse / Take a withdrawal slip, take all of your savings out.» The narrator is a guy singing to his girlfriend, telling her that they need to leave town or «[w]e might never make it out.» He explains that he «was not born to drown.» Living in the small town he’s in isn’t helping him to accomplish his dreams, and he wants to do something bigger.
The outro changes a little, and the last two lines are, «‘Cause if we don’t leave this town / We might never make it out.» Ending the song this way emphasize the narrator’s sense of urgency that he will have been developing since the intro at the beginning of the song.
First Verse
He wants his girlfriend to leave «a note on your bed / Let you mother know you’re safe.» He explains that by the time «[the mother] wakes / We’ll have driven through the state.» The takeaway here is that he’s trying to «steal her away» and to not just leave town, but to go somewhere far away very intentionally.
Chorus
But Schultz’s narrator doesn’t just want to take his girlfriend away, he wants to know what she wants and how much she’s dependent on him for her desire for getting a lot out of life. He sings, «If the sun don’t shine on me today / And if the subways flood and bridges break»—bad things happen and my dreams don’t come true—«Will you lay yourself down and dig your grave / Or will you rail against your dying day?»
This last line of the question brings to mind the poem «Do Not Go Gentle into That Good Night» by Dylan Thomas, where the poet writes, «Rage, rage against the dying of the light.» Thomas wants people to take the most out of life and to avoid apathy just like The Lumineers’ narrator wants to know if his girlfriend is just following him along or actually wants to «rage» and «rail» against the «dying light» too. He wants her to still seek the best out of life even if their hopes fall through.
Second Verse
He continues singing, «And when we looked outside, couldn’t even see the sky.» This is before they left town, and he’s still trying to convince her. And the lack of sky is helping him because it’s emphasizing how closed in they are and how few opportunities they have to chase their dreams.
He asks her, «How do you pay the rent, is it your parents / Or is it hard work, dear, holding the atmosphere?» Whether it’s support on parents for handouts or working unpleasant jobs that keeps life going for the girlfriend, the narrator «don’t wanna live like that.» He wants more, and he wants to go elsewhere. In addition, the answer to his question is also obvious—neither parents nor hard work are holding up the atmosphere. Whether they leave or not, he’s saying, things will still work out, and the world will stay normal.
Bridge
In the bridge, the narrator sings, «Jesus Christ can’t save me tonight,» to suggest, perhaps, that he’s not okay with comfortably seeking a religious life in a small town. Jesus offers forgiveness for sins, not necessarily excitement or the fulfillment of all dreams.
The narrator tells his girlfriend to «[p]ut on your dress, yes, wear something nice / Decide on me, yea, decide on us / Oh, oh, oh, Illinois, Illinois.» He’s telling her that he’s not going to stay even if she won’t come with him, so her staying is equivalent to them breaking up, and he doesn’t want that. The reference to»Illinois» could suggest that the big town they’re going to is Chicago or that they’re leaving Illinois to go elsewhere.